Santhosh Narayanan’s ability to produce ‘radio hits’ even while steering clear of mainstream trends are evidently on display in this track. The layering of distinct instruments over the synth pop presentation is expertly arranged.  The usage of Spanish Ukulele in the interlude with modern techno sounds in background is a highlight of the composition as are the other instances where instrumental flair is provided room to shine. Gana Bala performs his usual best with poise and fearlessness. 

A well crafted western classical piece with a tune that could keep the listener pondering for long time arrives next. The composition is simplistic yet possessing an encompassing personality. 

The quality of the melody and arrangement does recall strains of Rahman. The role of the string section and the minimalistic backbeat too add to the similarities but Santhosh stamps his identity with the kazoo solos. Shakthisree is at her personal best yet again !

The lilting acoustic guitar provides a relaxing rhythm and the chord progression is exemplary, while the melody sounds like it could have been a product of the Cuckoo sessions. Pradeep Kumar too continues to impress with yet another stellar performance with his voice growing in confidence with each passing film.  The scope for instrumentals to take the lead stays true to Santhosh’s signature sound. 

Loosely based on Carnatic Raaga Keeravani- ,Gaana Bala in his deep voice is adept in bringing out the emotions of the composition. The percussions take a changeover in the interlude giving the unpretentious local atmosphere while the rawness of Santhosh’s approach continues all the way to the close, which comes after a bit of a stretch.